WMV MOV

Convert Your WMV to MOV documents conveniently

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How to convert WMV to MOV

Step 1: Provide your WMV files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted MOV files.


WMV to MOV Conversion FAQ

How do I convert WMV to MOV without re-encoding the video stream?
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When the WMV and MOV containers can both carry the same codec (H.264, H.265, VP9, AV1), the converter falls back to a remux: the elementary streams are copied byte-for-byte into the MOV container and only the wrapper changes. A remux of a 1 GB WMV into MOV typically finishes in 5-15 seconds with zero quality loss. WMV carries Microsoft’s own VC-1 or WMV3 video with WMA audio — codecs almost nothing outside Windows decodes natively. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio.
It will unless you deinterlace, and WMV content very often is interlaced because the format comes from the broadcast and DVD era. Interlaced frames store two half-height fields captured a fiftieth of a second apart; on a progressive-scan phone or monitor that reads as horizontal combing on anything that moves. Turn on the deinterlace option and the encoder weaves the fields into whole progressive frames before writing the MOV. WMV is Windows Media Video, Microsoft’s ASF-based format from the Windows XP era.
Yes. WMV has no usable soft-subtitle track, so subtitles for WMV content had to be burned into the picture or shipped as a separate sidecar file. MOV carries subtitles as their own selectable stream, so after conversion you can attach an SRT track the viewer can switch on, switch off or restyle.
Yes, and it is a real upgrade over WMV. MOV treats every audio stream as a first-class track, so an original-language mix, a dub and a director commentary can live in one file with the player switching between them on demand. MOV is the format professional editors ask for, because it survives repeated round-trips through Final Cut Pro, Premiere and DaVinci Resolve without generational loss.
It does. MOV stores chapters as container metadata, so a long recording can be navigated by section instead of by scrubbing a progress bar. WMV has nowhere to put that information, so if the source shipped with a chapter list it was in a sidecar file — hand that to the converter and it gets written into the MOV.
Almost always DRM. Some WMV files are encrypted at the bitstream level by the store or software that issued them, and an encrypted stream cannot be decoded by us or by anything else without the licence key. Files you recorded, exported or downloaded unprotected convert normally; a licensed purchase will not, and no converter can honestly promise otherwise. WMV is effectively a dead end: macOS, iOS, Android and every browser need third-party decoders, and some WMV files carry DRM that cannot be converted at all.
For anything you intend to keep, yes. WMV belongs to an earlier generation of video tooling and the software that reads it is steadily disappearing from phones, browsers and operating systems. Moving the footage to MOV now, while a clean decoder still exists, is the difference between an archive you can open in ten years and one you cannot.
Yes — every audio track in the WMV (director commentary, alternate languages, descriptive audio) is preserved in the MOV when the target container supports multi-stream audio. MKV and MOV handle unlimited audio tracks; MP4 supports many but some hardware players only see track 1; WebM is capped at one Opus / Vorbis track. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default.
Soft subtitles (selectable tracks) survive when MOV can carry them: MKV holds SRT, ASS, SSA, PGS, VobSub natively; MP4 only holds mov_text (a stripped-down format). Converting an MKV with ASS styled subs to MP4 will typically downgrade them to mov_text or burn them in. Hardsubs (burned into the video) carry over regardless.
Chapter metadata transfers between WMV and MOV whenever both containers support a chapter atom (MKV, MP4, MOV). WebM stores chapters in a Matroska-compatible block, so MKV <-> WebM chapters round-trip cleanly. AVI has no chapter spec at all, so an AVI source arrives with no chapters to carry across and an AVI target cannot store the ones it was handed; add markers manually afterwards if you need them.
MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from WMV to MOV drops these attachments when MOV is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep WMV as a backup if you depend on attached fonts.
The default codec is chosen to match the MOV container conservatively: MKV defaults to H.265 (HEVC) for better compression; MP4 defaults to H.264 for the widest device support; WebM defaults to VP9; AVI uses MPEG-4 ASP (DivX/Xvid lineage). Override via the advanced codec dropdown — AV1 is available for MKV / WebM where you want maximum compression and can wait through the encode. MOV files are large, and outside the Apple ecosystem playback support is patchier than MP4 — older Android builds and some Smart TVs will refuse them.

WMV

WMV is Microsoft video from the Windows Media era, compact for its time but awkward on anything other than Windows.

MOV

MOV is Apple's QuickTime format, supporting first-rate video and audio for production-ready editing.


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