WMV → MOV

Convert Your WMV to MOV documents conveniently

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How to convert WMV to MOV

Step 1: Provide your WMV files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted MOV files.


WMV to MOV Conversion FAQ

How do I convert WMV to MOV without re-encoding the video stream?
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There is no stream-copy switch on this page. A few pairs copy a compatible video stream into the MOV container without re-encoding it, MKV to MP4 among them, which is quick and loses no quality. Most pairs re-encode the video. WMV carries Microsoft’s own VC-1 or WMV3 video with WMA audio — codecs almost nothing outside Windows decodes natively. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio.
Yes. WMV content is often interlaced, because the format comes from the broadcast and DVD era, and this converter has no deinterlace option, so the combing carries into the MOV. If it matters, deinterlace the WMV first in a desktop tool such as HandBrake or ffmpeg (the yadif filter). WMV is Windows Media Video, Microsoft’s ASF-based format from the Windows XP era.
Yes. WMV has no usable soft-subtitle track, so subtitles for WMV content had to be burned into the picture or shipped as a separate sidecar file. MOV carries subtitles as their own selectable stream, so after conversion you can attach an SRT track the viewer can switch on, switch off or restyle.
Yes, and it is a real upgrade over WMV. MOV treats every audio stream as a first-class track, so an original-language mix, a dub and a director commentary can live in one file with the player switching between them on demand. MOV is the QuickTime container, which Final Cut Pro, Premiere and DaVinci Resolve all open natively.
It does. MOV stores chapters as container metadata, so a long recording can be navigated by section instead of by scrubbing a progress bar. WMV has nowhere to put that information, so the converted MOV starts with no chapters; add markers afterwards with a tool such as MKVToolNix or ffmpeg.
Almost always DRM. Some WMV files are encrypted at the bitstream level by the store or software that issued them, and an encrypted stream cannot be decoded by us or by anything else without the licence key. Files you recorded, exported or downloaded unprotected convert normally; a licensed purchase will not, and no converter can honestly promise otherwise. WMV is effectively a dead end: macOS, iOS, Android and every browser need third-party decoders, and some WMV files carry DRM that cannot be converted at all.
For anything you intend to keep, yes. WMV belongs to an earlier generation of video tooling and the software that reads it is steadily disappearing from phones, browsers and operating systems. Moving the footage to MOV now, while a clean decoder still exists, is the difference between an archive you can open in ten years and one you cannot.
Usually not. Most conversions keep one audio track, the one with the most channels (normally the main mix), re-encoded for the MOV container, so commentary and alternate-language tracks are dropped. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every track, and so does MP4 to MOV. To keep a different track, remux the WMV with that track first (VLC or ffmpeg can do this), then convert it. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default.
On some pairs. MP4 to MOV keeps every text subtitle track. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every subtitle track: text subtitles are copied or converted to SRT, and picture-based subtitles such as DVD or Blu-ray ones are copied as they are. MP4, MOV and WebM to MKV keep only the first subtitle track (as ASS), and MP4 to WebM keeps the first one as WebVTT. Other pairs, including MKV to MP4 or MOV and WebM to MP4, drop subtitle tracks, and the converter does not burn them into the picture. Subtitles that are already burned in stay, because they are part of the video frames.
MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from WMV to MOV drops these attachments when MOV is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep WMV as a backup if you depend on attached fonts.
It depends on the MOV container. MP4, MOV and MKV output use H.264, which plays on practically every phone, browser and TV. WebM output uses VP9. AVI, WMV and MPEG output use the older codecs those formats were designed for. MOV files are large, and outside the Apple ecosystem playback support is patchier than MP4 — older Android builds and some Smart TVs will refuse them.

WMV

WMV is Microsoft video from the Windows Media era, compact for its time but awkward on anything other than Windows.

MOV

MOV is Apple's QuickTime format, supporting first-rate video and audio for production-ready editing.


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