WAV WMA

Convert Your WAV to WMA documents conveniently

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How to convert WAV to WMA

Step 1: Provide your WAV files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted WMA files.


WAV to WMA Conversion FAQ

How do I convert WAV audio to WMA without losing quality?
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Upload the WAV file and the converter chooses the WMA codec / bitrate combination that matches the source profile. Lossless WMA (WAV / FLAC / ALAC) preserves every sample exactly; lossy WMA (MP3 / AAC / OGG / Opus) defaults to 192 kbps which is transparent for almost all music content. WAV normally stores raw uncompressed PCM — every sample kept exactly, at whatever bit depth and sample rate was captured. WMA is lossy by default, in an ASF container, with lossless and voice-optimised variants that are rarely encountered.
Some, and it is permanent — this is the one direction where information is genuinely thrown away. WAV holds every sample exactly; WMA discards what a psychoacoustic model predicts you will not hear. At 192 kbps and above that prediction is good enough to be transparent on most material and most equipment. Keep the WAV as your master, because you cannot get back to it from the WMA.
Yes, and it is a genuine gain over WAV, which has nowhere dependable to store any of it. WMA carries title, artist, album, year, track number and embedded cover art in the container itself, so a music library files it correctly without a manual pass. WMA compressed better than contemporary MP3 encoders and remains readable by Windows Media Player and old PlaysForSure devices.
Often not. WAV is decoded by essentially everything, including car head units and elderly players; WMA needs software that knows the codec, which standalone hardware frequently does not have. If the destination is a car stereo or a portable player, that is a strong argument for staying on WAV. WMA is unsupported almost everywhere outside Windows, and older WMA files may carry DRM that blocks conversion entirely.
Free accounts cap at 100 MB per file, and WAV runs to roughly 10 MB per minute in stereo because nothing about it is compressed — every sample is stored at full width. Ten minutes is already at the limit. Premium lifts the cap considerably, and the format has its own 4 GB ceiling above that, which is why long sessions arrive split into numbered parts; upload them together and they are treated as one job. WAV is enormous — roughly 10 MB per stereo minute at CD quality — and the classic format has a 4 GB ceiling and no room for proper tags.
Default 192 kbps for lossy WMA; pass-through for lossless WMA. Override to 320 kbps if you want maximum lossy fidelity, 128 kbps for size-constrained podcast distribution, or 96 kbps for voice-only sources where the smaller file matters more than studio detail.
If WAV is lossy (MP3, AAC) and WMA is lossless (WAV, FLAC), the WMA is no better than the WAV — you cannot recover information already discarded by the lossy WAV codec. If WAV is lossless and WMA is lossy, expect the WMA encoder to recompress; at 192 kbps the loss is imperceptible to most ears.
Yes — title, artist, album, year, track number, album art, BPM, replay-gain are read from the WAV container and written into the equivalent fields on the WMA container. ID3v2 (MP3), Vorbis comments (OGG, FLAC), MP4 atoms (AAC, M4A), RIFF INFO (WAV), iXML chunks all map cleanly. WMA is Windows Media Audio, Microsoft’s answer to MP3, launched in 1999 and bundled with every Windows install of that era.
Yes — drop a folder of WAV files in and we process them in parallel. Premium has more parallel workers and no per-file size cap, so a 500-file batch finishes in minutes rather than tens of minutes. Folder structure is preserved in the output ZIP.
By default yes (a 48 kHz WAV produces 48 kHz WMA, a 44.1 kHz WAV produces 44.1 kHz WMA). For specific compatibility — e.g. downsampling 96 kHz studio masters to 44.1 kHz WMA for CD burning, or upsampling 22 kHz voicemail to 44.1 kHz WMA — the sample-rate dropdown applies high-quality SOX-style resampling.
Yes — the loudness-normalize option applies ITU-R BS.1770 / EBU R128 normalization to the WMA output, targeting -14 LUFS (streaming standard) or -16 LUFS (podcast standard) or a custom value. Useful when batch-converting tracks with varying mastering levels into a single WMA playlist.
MP3 plays universally on every device made in the last 20 years. AAC plays on Apple, most Android, Sonos, and modern car stereos. FLAC plays on Sonos and recent Android, less well on older iPods. WAV plays on everything but the file is huge. The device-target dropdown picks a safe WMA codec for the platform you specify.

WAV

WAV files store audio in uncompressed format, presenting CD-standard sound perfect for production-ready audio work.

WMA

WMA is Microsoft audio from the Windows Media era, still readable everywhere but long since displaced by AAC and MP3.


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