Step 1: Provide your MOV files using the button above or by toss and let go.
Step 2: Click the 'Convert' button to start the conversion.
Step 3: Fetch your converted 3GP files.
MOV to 3GP Conversion FAQ
How do I convert MOV to 3GP without re-encoding the video stream?
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When the MOV and 3GP containers can both carry the same codec (H.264, H.265, VP9, AV1), the converter falls back to a remux: the elementary streams are copied byte-for-byte into the 3GP container and only the wrapper changes. A remux of a 1 GB MOV into 3GP typically finishes in 5-15 seconds with zero quality loss. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio. 3GP holds H.263 or MPEG-4 Part 2 video with AMR narrowband speech audio, all tuned for minimal bitrate rather than quality.
Can MOV be converted to 3GP without re-encoding the video?
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Yes, and it is the fast path. MOV and 3GP share the same underlying box structure, so the video and audio streams are copied across byte-for-byte and only the container wrapper is rewritten. Nothing is decoded and nothing is re-compressed, so a feature-length file finishes in under a minute instead of half an hour, with output quality identical to the source. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default. 3GP is the container the 3GPP standardised for early mobile phones, when video had to fit a 176x144 screen and a 2G data plan.
What happens to the subtitle tracks in my MOV file?
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They cannot stay selectable, because 3GP has no soft-subtitle stream to hold them. There are two ways out: burn them into the video during conversion, which makes them permanent and unstyleable, or export them as a separate .srt alongside the 3GP for the player to load. The converter tells you which it did rather than dropping them silently. 3GP is capped at low resolutions and mono speech-grade audio; upscaling it will not restore detail that was never captured.
My MOV has several audio tracks — do they all survive into the 3GP?
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Not dependably. MOV stores multiple audio streams as first-class tracks, but 3GP playback support past the first track is inconsistent, so most players will only ever expose one. Choose the track you actually want before converting; the others are better extracted to their own files than left in a container that hides them. MOV is the format professional editors ask for, because it survives repeated round-trips through Final Cut Pro, Premiere and DaVinci Resolve without generational loss.
What happens to 5.1 surround audio when converting MOV to 3GP?
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It is downmixed to stereo, because 3GP has no dependable multichannel path. The fold-down uses the standard ITU coefficients so dialogue in the centre channel stays intelligible and the surrounds come in at reduced level rather than vanishing. Anything that relied on discrete channel placement is gone after that.
Will multi-track audio survive MOV to 3GP conversion?
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Yes — every audio track in the MOV (director commentary, alternate languages, descriptive audio) is preserved in the 3GP when the target container supports multi-stream audio. MKV and MOV handle unlimited audio tracks; MP4 supports many but some hardware players only see track 1; WebM is capped at one Opus / Vorbis track.
Are subtitle tracks preserved when converting MOV to 3GP?
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Soft subtitles (selectable tracks) survive when 3GP can carry them: MKV holds SRT, ASS, SSA, PGS, VobSub natively; MP4 only holds mov_text (a stripped-down format). Converting an MKV with ASS styled subs to MP4 will typically downgrade them to mov_text or burn them in. Hardsubs (burned into the video) carry over regardless.
Does MOV to 3GP keep chapter markers / DVD-style navigation?
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Chapter metadata transfers between MOV and 3GP whenever both containers support a chapter atom (MKV, MP4, MOV). WebM stores chapters in a Matroska-compatible block, so MKV <-> WebM chapters round-trip cleanly. AVI has no chapter spec at all, so an AVI source arrives with no chapters to carry across and an AVI target cannot store the ones it was handed; add markers manually afterwards if you need them.
What about MKV attachments (fonts, cover art) when going MOV to 3GP?
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MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from MOV to 3GP drops these attachments when 3GP is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep MOV as a backup if you depend on attached fonts.
Which codec does the 3GP output use by default?
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The default codec is chosen to match the 3GP container conservatively: MKV defaults to H.265 (HEVC) for better compression; MP4 defaults to H.264 for the widest device support; WebM defaults to VP9; AVI uses MPEG-4 ASP (DivX/Xvid lineage). Override via the advanced codec dropdown — AV1 is available for MKV / WebM where you want maximum compression and can wait through the encode. 3GP files are tiny and decode on the weakest hardware imaginable, which is why feature phones and low-end handsets still record it.
How does HDR (HDR10, Dolby Vision) survive MOV to 3GP?
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HDR static metadata (HDR10 mastering display values, max content light level) carries through to 3GP when both containers and the chosen codec support it (HEVC, AV1 in MKV / MP4). Dolby Vision is more fragile — DV profile 5 / 7 / 8.1 in MOV commonly survives only into MKV with HEVC; converting to a 3GP container that does not carry the DV layer flattens to HDR10.
Will the MOV to 3GP converter keep variable framerate (VFR)?
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MKV and WebM record real per-frame timestamps and handle VFR natively, so MOV VFR survives into a 3GP of those formats with no resampling. MP4 nominally stores timestamps too but some players assume CFR; the converter exposes a "force CFR" toggle that resamples VFR MOV to 24 / 30 / 60 fps 3GP for problematic targets.
