M4V → MOV

Convert Your M4V to MOV documents conveniently

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How to convert M4V to MOV

Step 1: Provide your M4V files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted MOV files.


M4V to MOV Conversion FAQ

How do I convert M4V to MOV without re-encoding the video stream?
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There is no stream-copy switch on this page. A few pairs copy a compatible video stream into the MOV container without re-encoding it, MKV to MP4 among them, which is quick and loses no quality. Most pairs re-encode the video. Structurally an M4V is an MP4 — H.264 or HEVC with AAC — with optional Apple FairPlay DRM and iTunes chapter metadata. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio.
No, not on this page. M4V and MOV share the same underlying structure, but the converter re-encodes the video for this pair rather than copying the stream, so it takes longer than a container change and the picture is compressed again. Choose High Quality under Quality to keep the most detail. M4V is Apple’s variant of MP4, used by iTunes and the Apple TV app for films and TV episodes. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default.
Almost always DRM. Some M4V files are encrypted at the bitstream level by the store or software that issued them, and an encrypted stream cannot be decoded by us or by anything else without the licence key. Files you recorded, exported or downloaded unprotected convert normally; a licensed purchase will not, and no converter can honestly promise otherwise. DRM-protected M4V purchases cannot be converted by anything; only unprotected M4V files are convertible, and non-Apple players often need the extension renamed.
Usually not. Most conversions keep one audio track, the one with the most channels (normally the main mix), re-encoded for the MOV container, so commentary and alternate-language tracks are dropped. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every track, and so does MP4 to MOV. To keep a different track, remux the M4V with that track first (VLC or ffmpeg can do this), then convert it.
On some pairs. MP4 to MOV keeps every text subtitle track. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every subtitle track: text subtitles are copied or converted to SRT, and picture-based subtitles such as DVD or Blu-ray ones are copied as they are. MP4, MOV and WebM to MKV keep only the first subtitle track (as ASS), and MP4 to WebM keeps the first one as WebVTT. Other pairs, including MKV to MP4 or MOV and WebM to MP4, drop subtitle tracks, and the converter does not burn them into the picture. Subtitles that are already burned in stay, because they are part of the video frames.
MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from M4V to MOV drops these attachments when MOV is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep M4V as a backup if you depend on attached fonts.
It depends on the MOV container. MP4, MOV and MKV output use H.264, which plays on practically every phone, browser and TV. WebM output uses VP9. AVI, WMV and MPEG output use the older codecs those formats were designed for. MOV is the QuickTime container, which Final Cut Pro, Premiere and DaVinci Resolve all open natively. MOV files are large, and outside the Apple ecosystem playback support is patchier than MP4 — older Android builds and some Smart TVs will refuse them.
There is no HDR processing or tone mapping. When the video stream is copied (MKV to MP4 or MOV with the default settings), HDR10 passes through as it is. When the video is re-encoded, the HDR10 mastering metadata is dropped and Dolby Vision or HDR10+ data is not kept, and with a Quality, Resolution or Frame Rate setting some pairs also reduce the video to 8-bit colour, so an HDR M4V can look washed out in the MOV.
It depends on what happens to the video. MKV to MP4 or MOV with the default settings copies the video stream unchanged, so the size stays close to the source. Most other pairs re-encode it: a high-bitrate M4V usually comes out smaller, while an already heavily compressed one can grow. Smaller File under Quality gives the smallest output, and H.265 in the Codec setting (MP4, MOV and MKV) is usually smaller than H.264 at similar quality but plays on fewer devices.
The converter has no resolution cap of its own; the limit is the upload size allowed on your plan, and 4K, 8K and 60 fps files keep their resolution and frame rate unless you change them. MKV to MP4 or MOV with the default settings copies the video stream, which is quick at any resolution. Other pairs re-encode on CPU and the time grows with the pixel count, so a long 4K or 8K file takes much longer than the same length in 1080p.

M4V

M4V is an Apple variant of MP4 that may carry FairPlay DRM, which is what stops some players from opening it.

MOV

MOV is Apple's QuickTime format, supporting first-rate video and audio for production-ready editing.


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