M4V → MKV

Convert Your M4V to MKV documents conveniently

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How to convert M4V to MKV

Step 1: Provide your M4V files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted MKV files.


M4V to MKV Conversion FAQ

How do I convert M4V to MKV without re-encoding the video stream?
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There is no stream-copy switch on this page. A few pairs copy a compatible video stream into the MKV container without re-encoding it, MKV to MP4 among them, which is quick and loses no quality. Most pairs re-encode the video. Structurally an M4V is an MP4 — H.264 or HEVC with AAC — with optional Apple FairPlay DRM and iTunes chapter metadata. MKV is codec-agnostic: H.264, HEVC, VP9 and AV1 video sit happily beside AAC, FLAC, Opus, DTS or Dolby audio in the same file.
Almost always DRM. Some M4V files are encrypted at the bitstream level by the store or software that issued them, and an encrypted stream cannot be decoded by us or by anything else without the licence key. Files you recorded, exported or downloaded unprotected convert normally; a licensed purchase will not, and no converter can honestly promise otherwise. DRM-protected M4V purchases cannot be converted by anything; only unprotected M4V files are convertible, and non-Apple players often need the extension renamed.
It may not. M4V is decoded by dedicated silicon on phones, tablets and TVs, which is why it plays without flattening the battery. MKV typically falls back to software decoding on the same hardware — higher CPU load, a warmer device, and dropped frames on 4K material. For a device target, M4V is the safer container to stay in. MKV has almost no native hardware support — phones, browsers and TVs usually need VLC or a remux before they will play it.
Keep whichever matches where the file is going, because neither is better in the abstract. One of these two is built for playback compatibility and the other for holding everything a file might contain, and they trade against each other exactly along that line. The pragmatic answer for most libraries is to archive in the feature-rich container and export to the compatible one on demand. M4V keeps chapter markers, artwork and subtitle tracks in the shape the Apple TV app expects, which plain MP4 often loses. MKV is the archival container of choice because it stores unlimited audio tracks, soft subtitles, chapter markers and cover art in one file.
Usually not. Most conversions keep one audio track, the one with the most channels (normally the main mix), re-encoded for the MKV container, so commentary and alternate-language tracks are dropped. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every track, and so does MP4 to MOV. To keep a different track, remux the M4V with that track first (VLC or ffmpeg can do this), then convert it. MKV is Matroska, an open container designed in 2002 with no licensing restrictions and no ceiling on what it can hold.
On some pairs. MP4 to MOV keeps every text subtitle track. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every subtitle track: text subtitles are copied or converted to SRT, and picture-based subtitles such as DVD or Blu-ray ones are copied as they are. MP4, MOV and WebM to MKV keep only the first subtitle track (as ASS), and MP4 to WebM keeps the first one as WebVTT. Other pairs, including MKV to MP4 or MOV and WebM to MP4, drop subtitle tracks, and the converter does not burn them into the picture. Subtitles that are already burned in stay, because they are part of the video frames.
MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from M4V to MKV drops these attachments when MKV is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep M4V as a backup if you depend on attached fonts.
It depends on the MKV container. MP4, MOV and MKV output use H.264, which plays on practically every phone, browser and TV. WebM output uses VP9. AVI, WMV and MPEG output use the older codecs those formats were designed for.
There is no HDR processing or tone mapping. When the video stream is copied (MKV to MP4 or MOV with the default settings), HDR10 passes through as it is. When the video is re-encoded, the HDR10 mastering metadata is dropped and Dolby Vision or HDR10+ data is not kept, and with a Quality, Resolution or Frame Rate setting some pairs also reduce the video to 8-bit colour, so an HDR M4V can look washed out in the MKV.
It depends on what happens to the video. MKV to MP4 or MOV with the default settings copies the video stream unchanged, so the size stays close to the source. Most other pairs re-encode it: a high-bitrate M4V usually comes out smaller, while an already heavily compressed one can grow. Smaller File under Quality gives the smallest output, and H.265 in the Codec setting (MP4, MOV and MKV) is usually smaller than H.264 at similar quality but plays on fewer devices.

M4V

M4V is an Apple variant of MP4 that may carry FairPlay DRM, which is what stops some players from opening it.

MKV

MKV (Matroska) can hold unlimited video, audio, and subtitle tracks in a single file, ideal for movies.


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