AMR → WMA

Convert Your AMR to WMA documents conveniently

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How to convert AMR to WMA

Step 1: Provide your AMR files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted WMA files.


AMR to WMA Conversion FAQ

What bitrate does the WMA file end up at?
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A lossy WMA is encoded at 192 kbps by default. The Audio Quality setting also offers 320 kbps for the best quality and 128 kbps for a smaller file. A lossless WMA (WAV, FLAC) ignores the bitrate and keeps every sample.
Yes, and it is worth planning around. Both formats are lossy, so the WMA encoder is working from audio that has already been through one psychoacoustic pass, and its own decisions compound the first set. At 192 kbps or above the result is still transparent for most listening. If you have a lossless master anywhere, encoding the WMA from that instead avoids the double pass entirely. AMR is a narrowband speech codec running between 4.75 and 12.2 kbps, modelling the human vocal tract rather than the full audio spectrum. WMA is lossy by default, in an ASF container, with lossless and voice-optimised variants that are rarely encountered.
Yes, and it is a genuine gain over AMR, which has nowhere dependable to store any of it. WMA carries title, artist, album, year, track number and embedded cover art in the container itself, so a music library files it correctly without a manual pass. WMA compressed better than contemporary MP3 encoders and remains readable by Windows Media Player and old PlaysForSure devices.
Often not. AMR is decoded by essentially everything, including car head units and elderly players; WMA needs software that knows the codec, which standalone hardware frequently does not have. If the destination is a car stereo or a portable player, that is a strong argument for staying on AMR. WMA is unsupported almost everywhere outside Windows, and older WMA files may carry DRM that blocks conversion entirely.
Because one side of it is a speech codec rather than a music codec. It models the human vocal tract and discards everything outside telephone bandwidth, which is fine for a voice memo and destructive for anything with instruments in it. Converting away from it cannot restore the missing frequencies — they were never encoded in the first place. AMR destroys music: its 8 kHz bandwidth removes everything above telephone frequencies, and no amount of re-encoding brings it back.
If AMR is lossy (MP3, AAC) and WMA is lossless (WAV, FLAC), the WMA is no better than the AMR — you cannot recover information already discarded by the lossy AMR codec. If AMR is lossless and WMA is lossy, expect the WMA encoder to recompress; at 192 kbps the loss is imperceptible to most ears.
Several files in one job need a paid plan. Free use is one file per conversion, one conversion an hour. On a paid plan you can add several files to one job, then download each result on its own or all of them in one ZIP.
Not in this step. The converter has no loudness setting and leaves the level as it is. To even out the volume, run the finished WMA through a Normalize tool on this site.
MP3 plays almost everywhere. AAC plays on Apple devices, most Android phones and Sonos. FLAC plays on Sonos and Android but not on older iPods, and WAV plays on nearly everything but makes large files. There are no device presets on this page, so choose the target format your player supports.

AMR

AMR is a speech codec tuned for voice recordings and phone calls, which is why music sounds poor in it.

WMA

WMA is Microsoft audio from the Windows Media era, still readable everywhere but long since displaced by AAC and MP3.


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