Step 1: Provide your VOB files using the button above or by toss and let go.
Step 2: Click the 'Convert' button to start the conversion.
Step 3: Fetch your converted MOV files.
VOB to MOV Conversion FAQ
How do I convert VOB to MOV without re-encoding the video stream?
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When the VOB and MOV containers can both carry the same codec (H.264, H.265, VP9, AV1), the converter falls back to a remux: the elementary streams are copied byte-for-byte into the MOV container and only the wrapper changes. A remux of a 1 GB VOB into MOV typically finishes in 5-15 seconds with zero quality loss. A VOB holds MPEG-2 video, AC-3 or PCM audio, and DVD subpicture subtitle streams, split into 1 GB segments by the DVD spec. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio.
My VOB footage shows comb lines on movement — will that carry into the MOV?
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It will unless you deinterlace, and VOB content very often is interlaced because the format comes from the broadcast and DVD era. Interlaced frames store two half-height fields captured a fiftieth of a second apart; on a progressive-scan phone or monitor that reads as horizontal combing on anything that moves. Turn on the deinterlace option and the encoder weaves the fields into whole progressive frames before writing the MOV. VOB is the Video Object container found in the VIDEO_TS folder of every DVD — an MPEG-2 program stream with DVD-specific navigation data added.
My VOB recordings are split into numbered parts — does MOV have the same limit?
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No, and that is one of the better reasons to move. The VOB container has a practical single-file ceiling that long or high-bitrate recordings run straight into, which is exactly why old captures arrive as part1, part2, part3. MOV has no equivalent limit, so the pieces can be rejoined into one continuous file. VOB is split across files, may be CSS-encrypted, and carries navigation packets that confuse general-purpose players.
Why does my VOB file fail to convert to MOV?
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Almost always DRM. Some VOB files are encrypted at the bitstream level by the store or software that issued them, and an encrypted stream cannot be decoded by us or by anything else without the licence key. Files you recorded, exported or downloaded unprotected convert normally; a licensed purchase will not, and no converter can honestly promise otherwise.
Is it worth converting old VOB recordings to MOV at all?
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For anything you intend to keep, yes. VOB belongs to an earlier generation of video tooling and the software that reads it is steadily disappearing from phones, browsers and operating systems. Moving the footage to MOV now, while a clean decoder still exists, is the difference between an archive you can open in ten years and one you cannot. MOV is the format professional editors ask for, because it survives repeated round-trips through Final Cut Pro, Premiere and DaVinci Resolve without generational loss.
Will multi-track audio survive VOB to MOV conversion?
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Yes — every audio track in the VOB (director commentary, alternate languages, descriptive audio) is preserved in the MOV when the target container supports multi-stream audio. MKV and MOV handle unlimited audio tracks; MP4 supports many but some hardware players only see track 1; WebM is capped at one Opus / Vorbis track. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default.
Are subtitle tracks preserved when converting VOB to MOV?
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Soft subtitles (selectable tracks) survive when MOV can carry them: MKV holds SRT, ASS, SSA, PGS, VobSub natively; MP4 only holds mov_text (a stripped-down format). Converting an MKV with ASS styled subs to MP4 will typically downgrade them to mov_text or burn them in. Hardsubs (burned into the video) carry over regardless.
Does VOB to MOV keep chapter markers / DVD-style navigation?
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Chapter metadata transfers between VOB and MOV whenever both containers support a chapter atom (MKV, MP4, MOV). WebM stores chapters in a Matroska-compatible block, so MKV <-> WebM chapters round-trip cleanly. AVI has no chapter spec at all, so an AVI source arrives with no chapters to carry across and an AVI target cannot store the ones it was handed; add markers manually afterwards if you need them.
What about MKV attachments (fonts, cover art) when going VOB to MOV?
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MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from VOB to MOV drops these attachments when MOV is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep VOB as a backup if you depend on attached fonts.
Which codec does the MOV output use by default?
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The default codec is chosen to match the MOV container conservatively: MKV defaults to H.265 (HEVC) for better compression; MP4 defaults to H.264 for the widest device support; WebM defaults to VP9; AVI uses MPEG-4 ASP (DivX/Xvid lineage). Override via the advanced codec dropdown — AV1 is available for MKV / WebM where you want maximum compression and can wait through the encode. MOV files are large, and outside the Apple ecosystem playback support is patchier than MP4 — older Android builds and some Smart TVs will refuse them.
How does HDR (HDR10, Dolby Vision) survive VOB to MOV?
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HDR static metadata (HDR10 mastering display values, max content light level) carries through to MOV when both containers and the chosen codec support it (HEVC, AV1 in MKV / MP4). Dolby Vision is more fragile — DV profile 5 / 7 / 8.1 in VOB commonly survives only into MKV with HEVC; converting to an MOV container that does not carry the DV layer flattens to HDR10.
Will the VOB to MOV converter keep variable framerate (VFR)?
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MKV and WebM record real per-frame timestamps and handle VFR natively, so VOB VFR survives into an MOV of those formats with no resampling. MP4 nominally stores timestamps too but some players assume CFR; the converter exposes a "force CFR" toggle that resamples VFR VOB to 24 / 30 / 60 fps MOV for problematic targets.
