Step 1: Provide your MPEG files using the button above or by toss and let go.
Step 2: Click the 'Convert' button to start the conversion.
Step 3: Fetch your converted FLV files.
MPEG to FLV Conversion FAQ
How do I convert MPEG to FLV without re-encoding the video stream?
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There is no stream-copy switch on this page. A few pairs copy a compatible video stream into the FLV container without re-encoding it, MKV to MP4 among them, which is quick and loses no quality. Most pairs re-encode the video. The video is MPEG-1 or MPEG-2 with MP2 or AC-3 audio, multiplexed into a stream designed to be decoded by fixed-function hardware. FLV typically holds Sorenson Spark or H.264 video with MP3 or AAC audio, wrapped in a stream format designed for RTMP delivery.
My MPEG footage shows comb lines on movement — will that carry into the FLV?
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Yes. MPEG content is often interlaced, because the format comes from the broadcast and DVD era, and this converter has no deinterlace option, so the combing carries into the FLV. If it matters, deinterlace the MPEG first in a desktop tool such as HandBrake or ffmpeg (the yadif filter). MPEG here means an MPEG-1 or MPEG-2 program stream, the format standardised for Video CD and then for DVD and broadcast television.
My MPEG has several audio tracks — do they all survive into the FLV?
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No. The converter keeps one audio track, the one with the most channels (normally the main mix), and drops the rest; there is no setting to pick a different one. To keep another track, remux the MPEG with that track first (VLC or ffmpeg can do this), then convert it. MPEG program streams are decoded by literally every DVD player, set-top box and broadcast chain ever built, and they tolerate bit errors gracefully. No current browser, phone or TV can play FLV — anything still in this container has to be moved out of it to remain watchable.
Will the FLV still play smoothly on a phone or a TV?
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It may not. MPEG is decoded by dedicated silicon on phones, tablets and TVs, which is why it plays without flattening the battery. FLV typically falls back to software decoding on the same hardware — higher CPU load, a warmer device, and dropped frames on 4K material. For a device target, MPEG is the safer container to stay in.
Is there any point converting between two legacy formats like MPEG and FLV?
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Only if a specific piece of equipment demands the target. Both formats come from the same pre-H.264 era, so neither conversion buys efficiency, quality or future-proofing — it buys compatibility with one particular device. If the goal is to keep the footage usable long-term, convert to a current container instead of sideways. MPEG-2 needs roughly four to six times the bitrate of H.264 for the same picture, and its content is frequently interlaced, which looks combed on modern displays.
Will multi-track audio survive MPEG to FLV conversion?
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Usually not. Most conversions keep one audio track, the one with the most channels (normally the main mix), re-encoded for the FLV container, so commentary and alternate-language tracks are dropped. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every track, and so does MP4 to MOV. To keep a different track, remux the MPEG with that track first (VLC or ffmpeg can do this), then convert it. FLV is the Flash Video container that carried essentially all web video from roughly 2003 until Flash was switched off at the end of 2020.
Are subtitle tracks preserved when converting MPEG to FLV?
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On some pairs. MP4 to MOV keeps every text subtitle track. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every subtitle track: text subtitles are copied or converted to SRT, and picture-based subtitles such as DVD or Blu-ray ones are copied as they are. MP4, MOV and WebM to MKV keep only the first subtitle track (as ASS), and MP4 to WebM keeps the first one as WebVTT. Other pairs, including MKV to MP4 or MOV and WebM to MP4, drop subtitle tracks, and the converter does not burn them into the picture. Subtitles that are already burned in stay, because they are part of the video frames.
What about MKV attachments (fonts, cover art) when going MPEG to FLV?
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MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from MPEG to FLV drops these attachments when FLV is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep MPEG as a backup if you depend on attached fonts.
Which codec does the FLV output use by default?
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It depends on the FLV container. MP4, MOV and MKV output use H.264, which plays on practically every phone, browser and TV. WebM output uses VP9. AVI, WMV and MPEG output use the older codecs those formats were designed for. FLV’s low per-packet overhead made it excellent at streaming over the unreliable connections of its era, and huge archives of it still exist.
How does HDR (HDR10, Dolby Vision) survive MPEG to FLV?
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There is no HDR processing or tone mapping. When the video stream is copied (MKV to MP4 or MOV with the default settings), HDR10 passes through as it is. When the video is re-encoded, the HDR10 mastering metadata is dropped and Dolby Vision or HDR10+ data is not kept, and with a Quality, Resolution or Frame Rate setting some pairs also reduce the video to 8-bit colour, so an HDR MPEG can look washed out in the FLV.
