MOV WMA

Convert Your MOV to WMA documents conveniently

Check your files

or drag and drop your files here

Free plan: 1 Conversions/hour · Go Unlimited →

Convert files free, Pro users can convert much larger files; Sign up now

Uploading

0%

How to convert MOV to WMA

Step 1: Provide your MOV files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted WMA files.


MOV to WMA Conversion FAQ

How do I extract just the audio track from MOV as WMA?
+
Upload the MOV file and the converter demuxes the audio stream from the MOV container, then transcodes it into WMA. Video frames are discarded — no second video pass, no quality loss beyond what the WMA codec itself introduces. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default. WMA is Windows Media Audio, Microsoft’s answer to MP3, launched in 1999 and bundled with every Windows install of that era.
Yes, and it is worth planning around. Both formats are lossy, so the WMA encoder is working from audio that has already been through one psychoacoustic pass, and its own decisions compound the first set. At 192 kbps or above the result is still transparent for most listening. If you have a lossless master anywhere, encoding the WMA from that instead avoids the double pass entirely. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio. WMA is lossy by default, in an ASF container, with lossless and voice-optimised variants that are rarely encountered.
Yes, and it is a genuine gain over MOV, which has nowhere dependable to store any of it. WMA carries title, artist, album, year, track number and embedded cover art in the container itself, so a music library files it correctly without a manual pass. WMA compressed better than contemporary MP3 encoders and remains readable by Windows Media Player and old PlaysForSure devices.
Often not. MOV is decoded by essentially everything, including car head units and elderly players; WMA needs software that knows the codec, which standalone hardware frequently does not have. If the destination is a car stereo or a portable player, that is a strong argument for staying on MOV. WMA is unsupported almost everywhere outside Windows, and older WMA files may carry DRM that blocks conversion entirely.
By default stream 0 (the first audio track, usually the main mix). If your MOV carries commentary, dubs, or descriptive audio on additional tracks, the advanced "audio stream" picker lets you pick 1, 2, 3... explicitly. The track list is shown in the upload preview so you do not pick blind.
Default WMA bitrate is 192 kbps (transparent for music to most ears). Override to 320 kbps for audiophile output, or 96-128 kbps for voice / podcast where the smaller file is the priority. Lossless WMA targets (WAV, FLAC) ignore the bitrate setting and keep every sample.
If the WMA format is lossless (WAV, FLAC, ALAC), every original sample is preserved. If WMA is lossy (MP3, AAC, OGG, Opus), the codec recompresses — at 192 kbps the difference is inaudible for most content; at 96 kbps you may hear cymbals or sibilants softening. The MOV container has no influence on this — only the codec settings matter.
By default yes — 48 kHz MOV audio becomes 48 kHz WMA audio, 44.1 kHz becomes 44.1 kHz. If you need to downsample for compatibility (e.g. 96 kHz studio masters to 44.1 kHz CD-quality WMA) the sample-rate dropdown does this with high-quality resampling.
Yes — drop a folder of MOV files into the upload zone and we run extraction in parallel. Premium gets more parallel workers; on a 100-file batch (typical music-video collection) this is the difference between 90 seconds and 8 minutes.
Audio demux + transcode runs much faster than video re-encoding — typically 5-15% of source duration. A 1-hour MOV -> WMA finishes in 3-9 minutes on the standard pipeline. If the WMA codec matches the source codec already in the MOV (common for AAC inside MKV / MP4), it is a pure remux and runs in seconds.
If the MOV file stores stream metadata (artist, title, album), we copy those fields into the WMA container where the format supports tags. ID3v2 (MP3), Vorbis comments (OGG, FLAC), MP4 atoms (AAC / M4A), RIFF INFO (WAV) are all written. Untagged MOV produces untagged WMA — use Mp3tag or Picard post-export to enrich.
Yes — same privacy model as every conversion. Source MOV and output WMA are processed in isolated workers and deleted within minutes. We never play, store, or share content. See /privacy/.

MOV

MOV is Apple's QuickTime format, supporting first-rate video and audio for production-ready editing.

WMA

WMA is Microsoft audio from the Windows Media era, still readable everywhere but long since displaced by AAC and MP3.


Rate this toolkit

5.0/5 - 0 votes
Or let go your files here