FLV → MP4

Convert Your FLV to MP4 documents conveniently

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How to convert FLV to MP4

Step 1: Provide your FLV files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted MP4 files.


FLV to MP4 Conversion FAQ

How do I convert FLV to MP4 without re-encoding the video stream?
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There is no stream-copy switch on this page. A few pairs copy a compatible video stream into the MP4 container without re-encoding it, MKV to MP4 among them, which is quick and loses no quality. Most pairs re-encode the video. FLV typically holds Sorenson Spark or H.264 video with MP3 or AAC audio, wrapped in a stream format designed for RTMP delivery. Almost every MP4 in the wild is H.264 video with AAC audio; the container also legally holds HEVC, AV1 and VP9.
Yes. FLV has no usable soft-subtitle track, so subtitles for FLV content had to be burned into the picture or shipped as a separate sidecar file. MP4 carries subtitles as their own selectable stream, so after conversion you can attach an SRT track the viewer can switch on, switch off or restyle.
Yes, and that is usually the whole reason for the conversion. An FLV embedded in a web page either shows a broken player or forces a download, because browsers ship no decoder for it. MP4 plays inline through the native HTML5 video element with no plugin and no external application. MP4 is the safest possible delivery target — every phone, browser, console, editor and Smart TV built in the last decade plays it without extra software.
For anything you intend to keep, yes. FLV belongs to an earlier generation of video tooling and the software that reads it is steadily disappearing from phones, browsers and operating systems. Moving the footage to MP4 now, while a clean decoder still exists, is the difference between an archive you can open in ten years and one you cannot. No current browser, phone or TV can play FLV — anything still in this container has to be moved out of it to remain watchable.
Usually not. Most conversions keep one audio track, the one with the most channels (normally the main mix), re-encoded for the MP4 container, so commentary and alternate-language tracks are dropped. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every track, and so does MP4 to MOV. To keep a different track, remux the FLV with that track first (VLC or ffmpeg can do this), then convert it. MP4 is ISO/IEC 14496-14, standardised in 2001 and derived from the same QuickTime box layout MOV uses.
On some pairs. MP4 to MOV keeps every text subtitle track. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every subtitle track: text subtitles are copied or converted to SRT, and picture-based subtitles such as DVD or Blu-ray ones are copied as they are. MP4, MOV and WebM to MKV keep only the first subtitle track (as ASS), and MP4 to WebM keeps the first one as WebVTT. Other pairs, including MKV to MP4 or MOV and WebM to MP4, drop subtitle tracks, and the converter does not burn them into the picture. Subtitles that are already burned in stay, because they are part of the video frames.
MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from FLV to MP4 drops these attachments when MP4 is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep FLV as a backup if you depend on attached fonts.
It depends on the MP4 container. MP4, MOV and MKV output use H.264, which plays on practically every phone, browser and TV. WebM output uses VP9. AVI, WMV and MPEG output use the older codecs those formats were designed for. MP4 only supports one widely-honoured subtitle format (mov_text), and multi-track audio is unreliable outside desktop players.
There is no HDR processing or tone mapping. When the video stream is copied (MKV to MP4 or MOV with the default settings), HDR10 passes through as it is. When the video is re-encoded, the HDR10 mastering metadata is dropped and Dolby Vision or HDR10+ data is not kept, and with a Quality, Resolution or Frame Rate setting some pairs also reduce the video to 8-bit colour, so an HDR FLV can look washed out in the MP4.
It depends on what happens to the video. MKV to MP4 or MOV with the default settings copies the video stream unchanged, so the size stays close to the source. Most other pairs re-encode it: a high-bitrate FLV usually comes out smaller, while an already heavily compressed one can grow. Smaller File under Quality gives the smallest output, and H.265 in the Codec setting (MP4, MOV and MKV) is usually smaller than H.264 at similar quality but plays on fewer devices.

FLV

FLV was the container behind Flash video on the web, now obsolete but still common in older downloads and archives.

MP4

MP4 container file type can hold video, audio, subtitles, and images in a single file with excellent compression.


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