AVI MP4

Convert Your AVI to MP4 documents conveniently

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How to convert AVI to MP4

Step 1: Provide your AVI files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted MP4 files.


AVI to MP4 Conversion FAQ

How do I convert AVI to MP4 without re-encoding the video stream?
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When the AVI and MP4 containers can both carry the same codec (H.264, H.265, VP9, AV1), the converter falls back to a remux: the elementary streams are copied byte-for-byte into the MP4 container and only the wrapper changes. A remux of a 1 GB AVI into MP4 typically finishes in 5-15 seconds with zero quality loss. AVI files predate modern codecs: expect MPEG-4 Part 2 (DivX/Xvid), Motion JPEG or raw uncompressed frames rather than H.264. Almost every MP4 in the wild is H.264 video with AAC audio; the container also legally holds HEVC, AV1 and VP9.
It will unless you deinterlace, and AVI content very often is interlaced because the format comes from the broadcast and DVD era. Interlaced frames store two half-height fields captured a fiftieth of a second apart; on a progressive-scan phone or monitor that reads as horizontal combing on anything that moves. Turn on the deinterlace option and the encoder weaves the fields into whole progressive frames before writing the MP4. AVI is Microsoft’s Audio Video Interleave, introduced in 1992 on top of the RIFF chunk format — one of the oldest containers still in circulation.
No, and that is one of the better reasons to move. The AVI container has a practical single-file ceiling that long or high-bitrate recordings run straight into, which is exactly why old captures arrive as part1, part2, part3. MP4 has no equivalent limit, so the pieces can be rejoined into one continuous file. AVI has no native support for modern codecs, variable frame rate, soft subtitles or files over 4 GB without hacks, and its per-chunk overhead bloats the file.
Yes. AVI has no usable soft-subtitle track, so subtitles for AVI content had to be burned into the picture or shipped as a separate sidecar file. MP4 carries subtitles as their own selectable stream, so after conversion you can attach an SRT track the viewer can switch on, switch off or restyle.
Not dependably. AVI stores multiple audio streams as first-class tracks, but MP4 playback support past the first track is inconsistent, so most players will only ever expose one. Choose the track you actually want before converting; the others are better extracted to their own files than left in a container that hides them. AVI is trivially simple, which is exactly why ancient camcorders, capture cards, DVD ripping tools and Windows-era software all still emit it. MP4 only supports one widely-honoured subtitle format (mov_text), and multi-track audio is unreliable outside desktop players.
Yes, and that is usually the whole reason for the conversion. An AVI embedded in a web page either shows a broken player or forces a download, because browsers ship no decoder for it. MP4 plays inline through the native HTML5 video element with no plugin and no external application. MP4 is the safest possible delivery target — every phone, browser, console, editor and Smart TV built in the last decade plays it without extra software.
For anything you intend to keep, yes. AVI belongs to an earlier generation of video tooling and the software that reads it is steadily disappearing from phones, browsers and operating systems. Moving the footage to MP4 now, while a clean decoder still exists, is the difference between an archive you can open in ten years and one you cannot.
Yes — every audio track in the AVI (director commentary, alternate languages, descriptive audio) is preserved in the MP4 when the target container supports multi-stream audio. MKV and MOV handle unlimited audio tracks; MP4 supports many but some hardware players only see track 1; WebM is capped at one Opus / Vorbis track. MP4 is ISO/IEC 14496-14, standardised in 2001 and derived from the same QuickTime box layout MOV uses.
Soft subtitles (selectable tracks) survive when MP4 can carry them: MKV holds SRT, ASS, SSA, PGS, VobSub natively; MP4 only holds mov_text (a stripped-down format). Converting an MKV with ASS styled subs to MP4 will typically downgrade them to mov_text or burn them in. Hardsubs (burned into the video) carry over regardless.
Chapter metadata transfers between AVI and MP4 whenever both containers support a chapter atom (MKV, MP4, MOV). WebM stores chapters in a Matroska-compatible block, so MKV <-> WebM chapters round-trip cleanly. AVI has no chapter spec at all, so an AVI source arrives with no chapters to carry across and an AVI target cannot store the ones it was handed; add markers manually afterwards if you need them.
MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from AVI to MP4 drops these attachments when MP4 is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep AVI as a backup if you depend on attached fonts.
The default codec is chosen to match the MP4 container conservatively: MKV defaults to H.265 (HEVC) for better compression; MP4 defaults to H.264 for the widest device support; WebM defaults to VP9; AVI uses MPEG-4 ASP (DivX/Xvid lineage). Override via the advanced codec dropdown — AV1 is available for MKV / WebM where you want maximum compression and can wait through the encode.

AVI

AVI files can contain both audio and video data, widely covered but with larger file sizes.

MP4

MP4 container file type can hold video, audio, subtitles, and images in a single file with excellent compression.


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