VOB AVI

Convert Your VOB to AVI documents conveniently

Check your files

or drag and drop your files here

Free plan: 1 Conversions/hour · Go Unlimited →

Convert files free, Pro users can convert much larger files; Sign up now

Uploading

0%

How to convert VOB to AVI

Step 1: Provide your VOB files using the button above or by toss and let go.

Step 2: Click the 'Convert' button to start the conversion.

Step 3: Fetch your converted AVI files.


VOB to AVI Conversion FAQ

How do I convert VOB to AVI without re-encoding the video stream?
+
When the VOB and AVI containers can both carry the same codec (H.264, H.265, VP9, AV1), the converter falls back to a remux: the elementary streams are copied byte-for-byte into the AVI container and only the wrapper changes. A remux of a 1 GB VOB into AVI typically finishes in 5-15 seconds with zero quality loss. A VOB holds MPEG-2 video, AC-3 or PCM audio, and DVD subpicture subtitle streams, split into 1 GB segments by the DVD spec. AVI files predate modern codecs: expect MPEG-4 Part 2 (DivX/Xvid), Motion JPEG or raw uncompressed frames rather than H.264.
They cannot stay selectable, because AVI has no soft-subtitle stream to hold them. There are two ways out: burn them into the video during conversion, which makes them permanent and unstyleable, or export them as a separate .srt alongside the AVI for the player to load. The converter tells you which it did rather than dropping them silently. AVI has no native support for modern codecs, variable frame rate, soft subtitles or files over 4 GB without hacks, and its per-chunk overhead bloats the file.
Almost always DRM. Some VOB files are encrypted at the bitstream level by the store or software that issued them, and an encrypted stream cannot be decoded by us or by anything else without the licence key. Files you recorded, exported or downloaded unprotected convert normally; a licensed purchase will not, and no converter can honestly promise otherwise. VOB is split across files, may be CSS-encrypted, and carries navigation packets that confuse general-purpose players.
It may not. VOB is decoded by dedicated silicon on phones, tablets and TVs, which is why it plays without flattening the battery. AVI typically falls back to software decoding on the same hardware — higher CPU load, a warmer device, and dropped frames on 4K material. For a device target, VOB is the safer container to stay in.
It is downmixed to stereo, because AVI has no dependable multichannel path. The fold-down uses the standard ITU coefficients so dialogue in the centre channel stays intelligible and the surrounds come in at reduced level rather than vanishing. Anything that relied on discrete channel placement is gone after that.
Only if a specific piece of equipment demands the target. Both formats come from the same pre-H.264 era, so neither conversion buys efficiency, quality or future-proofing — it buys compatibility with one particular device. If the goal is to keep the footage usable long-term, convert to a current container instead of sideways.
Yes — every audio track in the VOB (director commentary, alternate languages, descriptive audio) is preserved in the AVI when the target container supports multi-stream audio. MKV and MOV handle unlimited audio tracks; MP4 supports many but some hardware players only see track 1; WebM is capped at one Opus / Vorbis track. AVI is Microsoft’s Audio Video Interleave, introduced in 1992 on top of the RIFF chunk format — one of the oldest containers still in circulation.
Soft subtitles (selectable tracks) survive when AVI can carry them: MKV holds SRT, ASS, SSA, PGS, VobSub natively; MP4 only holds mov_text (a stripped-down format). Converting an MKV with ASS styled subs to MP4 will typically downgrade them to mov_text or burn them in. Hardsubs (burned into the video) carry over regardless.
Chapter metadata transfers between VOB and AVI whenever both containers support a chapter atom (MKV, MP4, MOV). WebM stores chapters in a Matroska-compatible block, so MKV <-> WebM chapters round-trip cleanly. AVI has no chapter spec at all, so an AVI source arrives with no chapters to carry across and an AVI target cannot store the ones it was handed; add markers manually afterwards if you need them.
MKV is the only mainstream container that stores arbitrary attached files (TTF fonts for ASS subs, JPG cover art, fan-translated PDF inserts). Going from VOB to AVI drops these attachments when AVI is not MKV — the elementary streams convert, but the attached payload stays in the source. Keep VOB as a backup if you depend on attached fonts.
The default codec is chosen to match the AVI container conservatively: MKV defaults to H.265 (HEVC) for better compression; MP4 defaults to H.264 for the widest device support; WebM defaults to VP9; AVI uses MPEG-4 ASP (DivX/Xvid lineage). Override via the advanced codec dropdown — AV1 is available for MKV / WebM where you want maximum compression and can wait through the encode. AVI is trivially simple, which is exactly why ancient camcorders, capture cards, DVD ripping tools and Windows-era software all still emit it.
HDR static metadata (HDR10 mastering display values, max content light level) carries through to AVI when both containers and the chosen codec support it (HEVC, AV1 in MKV / MP4). Dolby Vision is more fragile — DV profile 5 / 7 / 8.1 in VOB commonly survives only into MKV with HEVC; converting to an AVI container that does not carry the DV layer flattens to HDR10.

VOB

VOB is the container on a video DVD, holding MPEG-2 video, audio, and subtitles, and it may be encrypted.

AVI

AVI files can contain both audio and video data, widely covered but with larger file sizes.


Rate this toolkit

5.0/5 - 0 votes
Or let go your files here
Made by @nadermx