DivX → MKV

Pa, e se youn nan rezon ki pi bon pou deplase. Kontektè DivX gen yon plafon pratik pou yon sèl dosye kote enskriman long oswa bitrate wo kouri dirèkteman, ki se egzakteman poukisa kaptan ki fin vye granmoun rive kòm pati1, pati2, pati3. MKV pa gen okenn limit ekwiwalan, se konsa pati yo ka re-joined nan yon dosye kontinyèl. DivX bezwen apeprè de fwa bitrate H.264 pou menm kalite a ak pa gen okenn wout pou HDR, 10-bit koulè oswa rezoud plis pase 1080p.

Wi. DivX pa gen okenn track soft-subtitle ki ka itilize, se konsa sous-titres pou DivX kontni te dwe boule nan imaj la oswa voye kòm yon dosye sidecar separe. MKV pote sous-titres kòm pwòp tèt ou-selectable stream, se konsa apre konvèsyon ou ka ajoute yon track SRT viewer ka vire sou, vire sou oswa restyle.

Li chanje sa pou espere nan dosye a sortie. Yon bò nan konvèsyon sa a rele yon enkodaj piske yon wrapper, konsa sa ki rive tounen se ke bitstream andedan nenpòt ki kontenè ki pi bon pou li - nòmalman MP4 oswa MKV. Extension reflete kontenè a; codec se sa ki reyèlman detèmine gwosè dosye a ak kote li pral jwe.

Usually not. Most conversions keep one audio track, the one with the most channels (normally the main mix), re-encoded for the MKV container, so commentary and alternate-language tracks are dropped. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every track, and so does MP4 to MOV. To keep a different track, remux the DivX with that track first (VLC or ffmpeg can do this), then convert it. MKV se Matroska, yon kontenè louvri ki te fèt an 2002 san okenn restriksyon lisans ak san plafon sou sa li ka kenbe.

On some pairs. MP4 to MOV keeps every text subtitle track. AVI, WMV, MPEG, FLV, VOB and M4V to MKV keep every subtitle track: text subtitles are copied or converted to SRT, and picture-based subtitles such as DVD or Blu-ray ones are copied as they are. MP4, MOV and WebM to MKV keep only the first subtitle track (as ASS), and MP4 to WebM keeps the first one as WebVTT. Other pairs, including MKV to MP4 or MOV and WebM to MP4, drop subtitle tracks, and the converter does not burn them into the picture. Subtitles that are already burned in stay, because they are part of the video frames.

MKV se sèl kontenè ki ka estoke dosye ki parèt nan yon dosye ki gen yon dosye ki parèt nan yon lòt dosye (fonts TTF pou sous ASS, koub JPG, inserts PDF tradwi pa fanatik). Si ou ale de DivX a MKV, ou ka pèdi dosye sa yo lè MKV pa MKV — kouch elemantè yo konvèti, men dosye ki parèt nan dosye a rete nan sous la. Tanpri, kenbe DivX kòm yon sauvegarde si ou bezwen fonts ki parèt nan dosye a.

It depends on the MKV container. MP4, MOV and MKV output use H.264, which plays on practically every phone, browser and TV. WebM output uses VP9. AVI, WMV and MPEG output use the older codecs those formats were designed for. MKV se archives kontenè nan chwa paske li estoke san limit chante, sous-titres mou, chapit marqueurs ak kouch atizay nan yon sèl dosye. MKV gen prèske pa gen okenn natif natal hardware sipò - telefòn, navigatè ak TV bezwen VLC oswa yon remux anvan yo pral jwe li.

There is no HDR processing or tone mapping. When the video stream is copied (MKV to MP4 or MOV with the default settings), HDR10 passes through as it is. When the video is re-encoded, the HDR10 mastering metadata is dropped and Dolby Vision or HDR10+ data is not kept, and with a Quality, Resolution or Frame Rate setting some pairs also reduce the video to 8-bit colour, so an HDR DivX can look washed out in the MKV.

It depends on what happens to the video. MKV to MP4 or MOV with the default settings copies the video stream unchanged, so the size stays close to the source. Most other pairs re-encode it: a high-bitrate DivX usually comes out smaller, while an already heavily compressed one can grow. Smaller File under Quality gives the smallest output, and H.265 in the Codec setting (MP4, MOV and MKV) is usually smaller than H.264 at similar quality but plays on fewer devices.